Showing 1–12 of 31 results

Canvas – Gala Nights – Tulle – The Feel of Silk
Canvas – Gala Nights – Tulle – The Feel of Silk

'Gala Nights - Tulle'

1.5 x 1.5 stretched canvas ready to hang

Series 2020 – Layers of Memory

Memories of Gala Nights - 'Tulle' - luxury silks and gowns - silken sheets!  
This is a large canvas – we ship by reliable Art Transport nationally and internationally – freight is calculated on the [shopping cart] but if you are in doubt as to the calculation or have an unusual address please contact us!
$ 4,900.00
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Canvas – a Favourite Sunday Afternoon
Canvas – a Favourite Sunday Afternoon

a 'Favourite Sunday Afternoon'

1.5 x 1.5 stretched canvas ready to hang

Series 2020 - Layers of Memory

Remember those summer afternoons - sand under your toes and sunscreen on your nose! The sound of the Mr Whippy Van or wandering in your thongs to the local Art Deco Ice-cream Store..........  
This is a large canvas - we ship by reliable Art Transport nationally and internationally - freight is calculated on the [shopping cart] but if you are in doubt as to the calculation or have an unusual address please contact us!
 
$ 4,900.00
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Canvas – Drifting Memories
Canvas – Drifting Memories

'Drifting Memories'

1.5 x 1.5 stretched canvas ready to hang

Series 2020 – Layers of Memory

 
This is a large canvas – we ship by reliable Art Transport nationally and internationally – freight is calculated on the [shopping cart] but if you are in doubt as to the calculation or have an unusual address please contact us!
$ 4,400.00
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Today I’m Flying Low
Today I’m Flying Low

Artwork Details

Today I'm Fly Low

oils and cold wax on board – 122 x 110 x 4cm ready to hang in a Tasmanian Oak – Shadow Frame

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this. TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Please note we deliver by secure Artwork Transport, the packaging and delivery costs are estimated only on the shopping cart if you have any inquiries please contact us on our contact from on the top menu – especially if you are requiring freight overseas.
$ 4,200.00
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Slow Time
Slow Time

Painting Description

Slow Time

oils and cold wax on board 181 x 62 x 4cm

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this.   TODAY  .........  Mary Oliver Today I'm flying low and I'm not saying a word. I'm letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I'm taking the day off. Quiet as a feather. I hardly move though really I'm traveling a terrific distance. Stillness. One of the doors into the temple.
$ 3,900.00
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Out of the Solitude 1
Out of the Solitude 1

Out of the Solitude 1

oils and cold wax on board - 92 x 62 x 4cm ready to hang

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this.   TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Please note we deliver by secure Artwork Transport, the packaging and delivery costs are estimated only on the shopping cart if you have any inquiries please contact us on our contact from on the top menu - especially if you are requiring freight overseas - thanks Wyn
$ 2,500.00
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Aspires
Aspires

Aspires

oil on canvas 606 x 727mm  
We ship nationally in Australia and internationally by secure transport
$ 2,360.00
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Out There and in Here
Out There and in Here

Artwork Details

Out There and in Here

oils and cold wax on board – 65 x 85 x 4cm ready to hang in a Tasmanian Oak – Shadow Frame

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this. TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Please note we deliver by secure Artwork Transport, the packaging and delivery costs are estimated only on the shopping cart if you have any inquiries please contact us on our contact from on the top menu – especially if you are requiring freight overseas.
$ 1,900.00
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Arising
Arising

Artwork Details

Arising

oils and cold wax on board - 82 x 62 x 4cm ready to hang in a Tasmanian Oak – Shadow Frame

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this. TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Please note we deliver by secure Artwork Transport, the packaging and delivery costs are estimated only on the shopping cart if you have any inquiries please contact us on our contact from on the top menu – especially if you are requiring freight overseas.
$ 1,800.00
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Premiere
Premiere

Premiere

move your cursor over the image to view the detail oil on canvas - 430 x 530mm

Vasenoir Akira Murata - has been our 2017 Yaroomba Beach Artist-in-Residence here in Qld - Australia!

We have loved having him here to share his watercolour, landscapes and portraiture work and are proud to now welcome him online to enable you to share in this amazing Work and buy - ready to hang on your walls.  
We ship nationally here in Australia and internationally by secure transport.
$ 1,600.00
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Wrapped 1
Wrapped 1

Artwork Details

Wrapped 1

oils and cold wax on board - 82 x 42 x 4cm - ready to hang

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this. TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Please note we deliver by secure Artwork Transport, the packaging and delivery costs are estimated only on the shopping cart if you have any inquiries please contact us on our contact from on the top menu - especially if you are requiring freight overseas. 
$ 1,200.00
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Mt Remarkable Memory 1
Mt Remarkable Memory 1

Artwork Details

Mt Remarkable Memory 1

oils and cold wax on board - 68 x 47 x 4 - ready to hang

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this. TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Please note we deliver by secure Artwork Transport, the packaging and delivery costs are estimated only on the shopping cart if you have any inquiries please contact us on our contact from on the top menu – especially if you are requiring freight overseas – thanks Wyn
$ 990.00
Add to cart