Showing 1–12 of 19 results

19 – Where Emus Waltz – 164 x 200 cm – Mixed Media on Belgium Linen – Artist – Andre van der Kerkhoff
19 – Where Emus Waltz – 164 x 200 cm – Mixed Media on Belgium Linen – Artist – Andre van der Kerkhoff

Where Emus Waltz

Size | 164 x 200 cm Mixed Media on Belgium Linen

About The Work – Artist – Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mille-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 7,000.00
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14 – Feeding Frenzy – 160 x 160cm mixed media on Belgium Linen – Artist  Andre van der Kerkhoff
14 – Feeding Frenzy – 160 x 160cm mixed media on Belgium Linen – Artist Andre van der Kerkhoff

Feeding Frenzy

Size | 160 x 160 cm Mixed Media on Belgium Linen

About The Work - Artist - Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mile-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 7,000.00
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01 – Where Dragonflies Tango – 130 x 130cm mixed media on Belgium Linen – Artist  Andre van der Kerkhoff
01 – Where Dragonflies Tango – 130 x 130cm mixed media on Belgium Linen – Artist Andre van der Kerkhoff

Where Dragonflies Tango

Size | 130 x 130cm Mixed Media on Belgium Linen

About The Work - Artist - Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mile-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 5,000.00
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15 – Dragonfly Country – 95 x 95cm mixed media on Belgium Linen – Artist  Andre van der Kerkhoff
15 – Dragonfly Country – 95 x 95cm mixed media on Belgium Linen – Artist Andre van der Kerkhoff

Dragonfly Country

Size | 95 x 95 cm Mixed Media on Belgium Linen

About The Work - Artist - Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mile-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 2,900.00
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10 – Full Moon – 95 x 95cm mixed media on Belgium Linen – Artist  Andre van der Kerkhoff
10 – Full Moon – 95 x 95cm mixed media on Belgium Linen – Artist Andre van der Kerkhoff

Full Moon

Size | 95 x 95 cm Mixed Media on Belgium Linen

About The Work - Artist - Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mile-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 2,900.00
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08 – Land of Milk and Honey – 95 x 95cm mixed media on Belgium Linen – Artist  Andre van der Kerkhoff
08 – Land of Milk and Honey – 95 x 95cm mixed media on Belgium Linen – Artist Andre van der Kerkhoff

Land of Milk and Honey

Size | 95 x 95 cm Mixed Media on Belgium Linen

About The Work - Artist - Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mile-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 2,900.00
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05 – Termite Rhapsody – 102 x 102cm mixed media on canvas – Artist  Andre van der Kerkhoff
05 – Termite Rhapsody – 102 x 102cm mixed media on canvas – Artist Andre van der Kerkhoff

Termite Rhapsody

Size | 102 x 102 cm Mixed Media on Canvas

About The Work - Artist - Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mile-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 2,900.00
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03 – The Natural Gardener – 95 x 95cm mixed media on Belgium Linen – Artist  Andre van der Kerkhoff
03 – The Natural Gardener – 95 x 95cm mixed media on Belgium Linen – Artist Andre van der Kerkhoff

The Natural Gardener

Size | 95 c 95 cm Mixed Media on Belgium Linen

About The Work - Artist - Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mile-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 2,900.00
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02 – Valley of the Baobabs – 95 x 95cm mixed media on Belgium Linen – Artist  Andre van der Kerkhoff
02 – Valley of the Baobabs – 95 x 95cm mixed media on Belgium Linen – Artist Andre van der Kerkhoff

Valley of the Baobabs

Size | 95 c 95 cm Mixed Media on Belgium Linen

About The Work - Artist - Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mile-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 2,900.00
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04 – Flight of the Bumble Bee – 91 x 91cm mixed media on canvas – Artist  Andre van der Kerkhoff
04 – Flight of the Bumble Bee – 91 x 91cm mixed media on canvas – Artist Andre van der Kerkhoff

Flight of the Bumble Bee

Size | 91 x 91 cm Mixed Media on Canvas

About The Work - Artist - Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mile-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 2,500.00
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18 – Big Wet – 61 x 61cm mixed media on Canvas – Artist  Andre van der Kerkhoff
18 – Big Wet – 61 x 61cm mixed media on Canvas – Artist Andre van der Kerkhoff

Big Wet

Size | 61 x 61 cm Mixed Media on Canvas

About The Work - Artist - Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mile-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 1,200.00
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17 – Catfish Blues – 61 x 61cm mixed media on Canvas – Artist  Andre van der Kerkhoff
17 – Catfish Blues – 61 x 61cm mixed media on Canvas – Artist Andre van der Kerkhoff

Catfish Blues

Size | 61 x 61 cm Mixed Media on Canvas

About The Work - Artist - Andre van der Kerkhoff

Quoting | ROBERTA SMITH Co-chief art critic of The New York Times, July 2017, NYC, NY‘ …………… The dragonfly and the butterfly are among the myriad of shapes that conjure up insects, turtles, lizards and snakes, flight paths and trajectories; floral-type patterns recall the woven mile-feuilles backgrounds of medieval wall hangings; circles string coiled pearls in a nebula of another universe. There is a mystery encased in these images–a hidden tale told in still another poetic language tinted by other landscapes. Landscapes he has made uniquely his own, rendered in earth tones, a “palette [that] reflects the pigments of the Australian Continent,” he writes. A quasi-musicality and a rhythm inhabit these latest works, a near- repetitive refrain, somewhat reminiscent of some “outsider art.” But van der Kerkhoff is no outsider. His is a reconstruction of an Australian fabric emanating from a melody within, heard by a stranger in a strange land. He is a stranger no longer. “It would be rather strange,” he states, “to live in one of Earth’s oldest landscapes and not be interested in it and its in-explainable power and magic…………..’
$ 1,200.00
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