Showing 61–72 of 72 results

Mt Remarkable Memory 1
Mt Remarkable Memory 1

Artwork Details

Mt Remarkable Memory 1

oils and cold wax on board - 68 x 47 x 4 - ready to hang

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this. TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Please note we deliver by secure Artwork Transport, the packaging and delivery costs are estimated only on the shopping cart if you have any inquiries please contact us on our contact from on the top menu – especially if you are requiring freight overseas – thanks Wyn
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Wrapped 5
Wrapped 5

Artwork Details

Wrapped 5

oils and cold wax on board - 56 x 38 x 4cm - ready to hang

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this. TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Please note we deliver by secure Artwork Transport, the packaging and delivery costs are estimated only on the shopping cart if you have any inquiries please contact us on our contact from on the top menu – especially if you are requiring freight overseas – thanks Wyn
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The Gully Walk – Artist Wyn Vogel
The Gully Walk – Artist Wyn Vogel

Artwork Details

After rain ............ 'The Gully Walk'

Work on Arches 300gsm cold pressed watercolour paper 100 x 67 cm - ready to frame Artist Statement As a girl growing up in the Blue Mountains - we used to walk in the sandy gullies at the foot of the sandstone cliffs - now based in Queensland there is a hint of the tropical beaches in my 'Gullies' - but they are a favourite place to walk after rain! Please Contact the Studio - for more information re this Work
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Wrapped 4
Wrapped 4

Artwork Details

Wrapped 4

oils and cold wax on board - 56 x 38 x 4cm - ready to hang

Artist Statement

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this. TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Please note we deliver by secure Artwork Transport, the packaging and delivery costs are estimated only on the shopping cart if you have any inquiries please contact us on our contact from on the top menu – especially if you are requiring freight overseas – thanks Wyn
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Wrapped 1
Wrapped 1

Artwork Details

Wrapped 1

oils and cold wax on board - 82 x 42 x 4cm - ready to hang

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this. TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Please note we deliver by secure Artwork Transport, the packaging and delivery costs are estimated only on the shopping cart if you have any inquiries please contact us on our contact from on the top menu - especially if you are requiring freight overseas. 
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Wrapped 3
Wrapped 3

Artwork Details

Wrapped 3

oils and cold wax on board - 43 x 43 x 4cm - ready to hang

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this. TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
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Out of the Solitude 1
Out of the Solitude 1

Out of the Solitude 1

oils and cold wax on board - 92 x 62 x 4cm ready to hang

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this.   TODAY  ………  Mary Oliver Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Please note we deliver by secure Artwork Transport, the packaging and delivery costs are estimated only on the shopping cart if you have any inquiries please contact us on our contact from on the top menu - especially if you are requiring freight overseas - thanks Wyn
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Slow Time
Slow Time

Painting Description

Slow Time

oils and cold wax on board 181 x 62 x 4cm

Artist Statement

SLOW TIME … notes to self

My paintings and their sense evolve naturally out of the actual process of doing the painting. Each one is a long slow meditation really. Requiring solitude, focus, listening and following. It also means that when I start, I have no idea what they will look like in the end.  An exciting adventure as well as a mighty challenge! I start with building up lots of layers of colours, textures and marks, with oil paints and cold wax medium, oil sticks.  There’s not too much thought, just getting wrapped up in the viscerality of the paint…and dissolving and digging into the layers to see what’s underneath.   At some point in the slow process, the painting suggests a compositional path to work with. But this can change, often! The paintings are always about organic things, memories of the physical landscape as it relates to my interior disposition. I want them to be about depth and mystery, that there’s more there than a surface consolation. So, when I get to the place where I feel it’s done to my satisfaction, I reflect on what it says to me.  What is the sense I am getting from it?  And then comes the title, intentionally ambiguous, to leave you to decide for yourself. These SLOW TIME paintings speak to me of quietness and breathing spaces, a reminder to me (notes to self) …   of the way they were made … in SLOW TIME … paying attention to whatever is happening. Listening.  Following. Trusting.  And a reminder to me of how to be in the rest of my life. Instead of always being ‘busy’, doing stuff, going somewhere, thinking about the next thing, always stimulated. On the phone. Information overload.  Distracted. A reminder of my need for silence and stillness, to gather together my fragmented self. This poem, for me, says a lot about this.   TODAY  .........  Mary Oliver Today I'm flying low and I'm not saying a word. I'm letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I'm taking the day off. Quiet as a feather. I hardly move though really I'm traveling a terrific distance. Stillness. One of the doors into the temple.
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Canvas – Gala Nights – Tulle – The Feel of Silk
Canvas – Gala Nights – Tulle – The Feel of Silk

'Gala Nights - Tulle'

1.5 x 1.5 stretched canvas ready to hang

Series 2020 – Layers of Memory

Memories of Gala Nights - 'Tulle' - luxury silks and gowns - silken sheets!  
This is a large canvas – we ship by reliable Art Transport nationally and internationally – freight is calculated on the [shopping cart] but if you are in doubt as to the calculation or have an unusual address please contact us!
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Canvas – Drifting Memories
Canvas – Drifting Memories

'Drifting Memories'

1.5 x 1.5 stretched canvas ready to hang

Series 2020 – Layers of Memory

 
This is a large canvas – we ship by reliable Art Transport nationally and internationally – freight is calculated on the [shopping cart] but if you are in doubt as to the calculation or have an unusual address please contact us!
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Canvas – a Favourite Sunday Afternoon
Canvas – a Favourite Sunday Afternoon

a 'Favourite Sunday Afternoon'

1.5 x 1.5 stretched canvas ready to hang

Series 2020 - Layers of Memory

Remember those summer afternoons - sand under your toes and sunscreen on your nose! The sound of the Mr Whippy Van or wandering in your thongs to the local Art Deco Ice-cream Store..........  
This is a large canvas - we ship by reliable Art Transport nationally and internationally - freight is calculated on the [shopping cart] but if you are in doubt as to the calculation or have an unusual address please contact us!
 
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Atoll – My Island Home II – Large Format Canvas
Atoll – My Island Home II – Large Format Canvas

Atoll - My Island Home Series I

This vibrant work is inspired and influenced by Australian Artist John Olson - Artist Wyn Vogel has taken the colours and shapes of New Caledonia and let them flow across her canvas - symbolic the palms are yellow a hint at the story of global warming that this Series of Work ........comments on!
The funding from the sale of this Artwork will go directly to the Carteret Island People to assist them with their relocation from their homeland Atolls to higher ground! (less cost of transport).
For further insights please head to the ABC film taken in 2016 – http://www.abc.net.au/news/2016-08-07/carteret-climate-refugees-new-home/7693950 although this project commenced in 2016 there is still need for at least 2 more homes to be built for this 1st stage of relocation. - Please contact for sales inquiries or commissions
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